Two different studio versions were recorded. Ramones were an American punk rock band that formed in the New York City neighborhood of Forest Hills, Queens in 1974. [64][67], Ramones was released on April 23, 1976, by Sire Records and received glowing reviews. August 1996 E-Bass bei den Ramones und sang einige bekannte Ramones-Songs, deren Gesangspart zuvor von Ex-Mitglied Dee Dee Ramone beigesteuert worden war. "[107], Each song on Ramones has been covered by various bands. I'd play the drums during sound checks, while Tommy went out to the board and mixed the sound—and instructed the soundman not to fuck with the settings. "I hope no one thinks we really sniff glue," said Dee Dee. [117], Credits adapted from AllMusic. "When their album came out," commented James, "all the English groups tripled speed overnight. 74. "[7][13] The label offered to release "You're Gonna Kill That Girl" as a single, but the band declined, insisting on recording an entire album. Johnny Ramone 10 best songs: 10. The song's lyrics are — depending on the reading and punctuation — a single row or four very brief lines. [47] According to Tommy, the song's original concept was about "kids going to a show and having a good time", but the theme became more Nazi-related after its revision. Es erschien erstmals 1991 auf dem Album 1916 und ist eine Hommage an die Band Ramones. "[105] The album also had a great impact on the English punk scene as well, with the bassist for Generation X, Tony James, saying that the album caused English bands to change their style. The following year, Dee Dee died in Los Angeles on June 5th, 2002. With a playing time of 2:35, it is the longest piece on the album. Leon persuaded Sire president Seymour Steinto listen to the band perform, and he later offered the ban… After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote about them in an article and contacted Danny Fields, insisting that he be their manager. Ramones peaked at number 111 on the US Billboard 200 and was unsuccessful commercially, though it received glowing reviews from critics. [39] Leigh described the Dingwalls gig as very similar to performances at CBGB. The Ramones got back to basics: simple, speedy, stripped-down rock and roll songs. [24][25] The stance of the group members in the photograph would influence their future cover designs as well, with the majority of their succeeding albums using a picture of the band on the front cover. The songs on Ramones addressed several lyrical themes including violence, male prostitution, drug use, and Nazism. [31] "I Wanna Be Your Boyfriend" was released in September 1976 as a 7" single. [7][10][11] After being persuaded by Craig Leon and his ex-wife Linda Stein, the Ramones auditioned at Sire and were offered a contract, although the label had previously signed only European progressive rock bands. [109] A tribute album titled Gabba Gabba Hey: A Tribute to the Ramones was released on August 30, 1991. Not only is the music boiled down to its essentials, but the Ramones offer a twisted, comical take on pop culture with their lyrics, whether it's the horror schlock of "I Don't Wanna Go Down to the Basement," the gleeful violence of "Beat on the Brat," or the maniacal stupidity of "Now I Wanna Sniff Some Glue." Reviewer Gene Sculatti saw it as "a rock 'n' roll reactionary's manifesto" ... "a sharp wedge between the stale ends of a contemporary music scene bloated with graying superstars and overripe for takeover. [22] The mixing of the production also used more modern techniques such as overdubbing, a technique used by studios to add a supplementary recorded sound to the material. "[99] The album was the start of the Ramones' influence on popular music, with examples being genres such as heavy metal,[100] thrash metal,[101] indie pop,[102] grunge,[103] post-punk,[104] and most notably, punk rock. They are often cited as the first band to define the Word was getting out, and people starting coming down. Es erschien erstmals am 23. Vega, who contributed to the album's packaging, helped out with the road crew as much as possible. And that toilet was certainly very scary. "[64] The half-sung and half-shouted bridge in "53rd and 3rd" are performed by Dee Dee, whose voice is described by author Cyrus Patell as what "breaks the deliberate aural monotony of the song and emphasizes the violence of the lyric. The song used a 12-string guitar, glockenspiel, and tubular bells in its composition,[53] and was said by author Scott Schinder to be an "unexpected romantic streak". Ramones is considered an influential punk album in the US and UK, and had a significant impact on other genres of rock music, such as grunge and heavy metal. Textpassage Sie bilden eine gerade Linie Sie gehen durch einen dichten Wind Die Kinder verlieren ihren Verstand Der Blitzkrieg Bop. Ramones ist der Titel des Debütalbums der gleichnamigen US-Punk-Band Ramones. [10][14], In January 1976 the band took a break from their live performances to prepare for recording at Plaza Sound studio. Sire accepted their request and agreed to release a studio album instead. Die Ramones waren eine US-amerikanische Musikgruppe aus dem Stadtbezirk Queens in New York City.Sie galten als Prototyp der Punkband, obwohl der Begriff Punk als Genrebezeichnung erst später im Zusammenhang mit einer britischen Subkultur populär wurde. The album's length is 29 minutes and four seconds and it contains 14 tracks. Catchy song full of energy, one of the best song by Ramones.” 12. [78] Reviewing that same month in The Village Voice, Robert Christgau said that, while the power of the band's music draws from "fairly ominous sources" like Nazi imagery and brutality, he cannot deny the "sheer pleasure" of the music: "For me, it blows everything else off the radio: it's clean the way the Dolls never were, sprightly the way the Velvets never were, and just plain listenable the way Black Sabbath never was. The songs are imaginative reductions of early rock & roll, girl group pop, and surf rock. Nein. Fields relates: "On the two-hundredth anniversary of our freedom, we were bringing Great Britain a gift that was forever going to disrupt their sensibilities. [19], Recording for the album was expanded by Mickey Leigh (Joey's brother) and Leon with percussion effects, which went unmentioned in the liner notes to the album's release. "[82] In 2012 the album was preserved by the National Recording Registry, deeming it "culturally, historically, and aesthetically significant. I'm a Nazi Schatze, y'know I fight for the Fatherland." [51][57], "I Don't Wanna Go Down to the Basement" is also minimalist, and inspired by horror movies. The track was first aired before Phil Taylor and Würzel left the band. When the prostitute gets a customer, he kills the customer with a razor to prove he is not a homosexual. "[82] Bates also said that it "is the ultimate punk statement. Vier Typen, Jeans, Lederjacken, Topffrisur. They noted that the album "saved rock from itself and punk rock from art-gallery pretension. Höre kostenlos Ramones – Ramones (Blitzkrieg Bop, Beat on the Brat und mehr). [93] Ramones was included in Chris Smith's 2009 book 101 Albums That Changed Popular Music, who said the album "opened a whole new world of garage rock for those fed up with the excesses of existing rock gods. (1964) and subsequently had pictures taken in that style by Danny Fields but Sire was dissatisfied with the results. [113] The compilation album Ramones Maniacs included Youth Gone Mad's version of "Blitzkrieg Bop" (featuring a guest appearance by Dee Dee Ramone) and Yogurt's rendition of "Beat on the Brat". People often say this album is the Ramones cross between Hardcore Punk, which is right of course! Von Heiko Fengels. [55], "Now I Wanna Sniff Some Glue" contains four lines of minimalist lyrics that depict youthful boredom and inhaling solvent vapors found in glue. One of the group's earliest compositions, written at the beginning of 1974, it was the opener on their first demo. In 1974 the band played 30 performances, nearly all at the New York-based club CBGB. He risked his career to get us on the label. "[94] It was also included in the 2005 book 1001 Albums You Must Hear Before You Die. I Don't Wanna Be Learned/I Don't Wanna Be Tamed, Plaza Sound, Radio City Music Hall, New York. [111] 1998's Blitzkrieg Over You! [37] While most of the gigs were booked in North America, two dates—July 4 and 5—were in London's Roundhouse venue and Dingwalls, respectively. [15] Author Nicholas Rombes said that the production's quality sounded like "the ultimate do-it-yourself, amateur, reckless ethic that is associated with punk," but concluded that they approached the recording process with a "high degree of preparedness and professionalism."[23]. Es erschien erstmals am 23. Tommy's friend Monte Melnick occasionally helped with the audio output, but this was typically done by Leigh. Rockwell noted: "the effect in the end amounts to an abstraction of rock so pure that other associations get left behind. Plus awesome album cover, just saying. In comparison to some of the music the album inspired, The Ramones sounds a little tame -- it's a little too clean, and compared to their insanely fast live albums, it even sounds a little slow -- but there's no denying that it still sounds brilliantly fresh and intoxicatingly fun. 1978 – in zwei Versionen: Als 3CD/1LP-Box Road To Ruin: 40 … Ramones is the debut studio album by American punk rock band Ramones, released on April 23, 1976 by Sire Records. Tracks like Mama's Boy, Wart Hog, Danger Zone and Human Kind are fun and enjoyable little Ramones songs. Joey said that the song "was sort of a call to arms ... for everyone to start their own bands. The bass and guitar gradually rebuild and become "full–force" once all the instruments play together in ensemble. The art direction was by Toni Wadler and, according to cartoonist John Holmstrom, the "Meet The Beatles" cover idea came out "horribly". ‘I Don’t Want To Grow Up’ could well be the Ramones’ defining number, albeit a defining track written by someone else—but that never really mattered to the Ramones anyway. ist ein Lied von Motörhead. [51] The song served as an inspiration for one of the first punk fanzines, Mark Perry's Sniffin' Glue. [36] Leigh later said of the tour: Travelling was difficult. Not everybody thought so at the time – it was nominated for a Razzie for worst soundtrack song in ’89 – but it fits in perfectly with the band’s best 70’s stuff. "[87] Also in 1995, the Spin Alternative Record Guide named it the No. The Ramones - Songs 'n' Things -: Eine kurze Geschichte der besten Band der Welt & 20 ihrer größten Songs. R.A.M.O.N.E.S. In 2016, Rhino Records announced[98] the July 29 release of a 40th-anniversary deluxe edition comprising three CDs and one LP, including stereo and mono mixes of the original album; single mixes, outtakes and demos; and a live 1976 performance. Als die Ramones 1976 ihre erste Single „Blitzkrieg Bop“ veröffentlichten, dachten die meisten an einen inhaltlichen Bezug zum 2.Weltkrieg. "[83], Later reviews of Ramones tended to praise the album's influence on rock music. Rock'n'Roll. The Ramones also performed it on and off until their final show in August 1996 at which C.J. [53], "I Don't Want to Walk Around with You" consists of two lyric lines and three major chords. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. [110] Screeching Weasel released Ramones (1992), which consisted of the band performing the entire album track list. "[38] The band sold out for their first London performance, with an audience of roughly 3,000. Most of the time, it was just Danny Fields, me, and the members of the band. The Ramones didn't have many big hits, but they were one of the most influential bands of the 1970s and arguably the founders of punk. At the 20th second, the guitar and bass cease, marking Joey's first line, "Hey ho, let's go!" The ingredients are simplicity itself." [105] The Rock and Roll Hall of Fame said of their influence on rock in general: When the [Ramones] hit the street in 1976 with their self-titled first album, the rock scene, in general, had become somewhat bloated and narcissistic. Länge: 141 Seiten 1 Stunde. "[6] Convinced that the band needed a recording contract, Robinson contacted Danny Fields, former manager of the Stooges, and argued that he needed to manage the band. ")[58], "Loudmouth" has six major chords and is harmonically complex. The image of a band in front of a brick wall dressed in ripped jeans and leather jackets was copied by Alvin and the Chipmunks in Chipmunk Punk. [30] On January 6, 2004, Rhino Entertainment re-released "Blitzkrieg Bop" as a CD single, using "Sheena Is a Punk Rocker" as its B-side. "[91] Q Magazine included the album in their "100 Greatest Albums Ever" (2003) list, where it was listed at No. The black and white photograph on the front of the album was originally in an issue of Punk. The back cover depicts an eagle belt buckle along with the album's liner notes. "[48][49], "Beat on the Brat" was said by Joey to have origins relating to the upper class of New York City. Initially, the Ramones wanted an album cover similar to Meet the Beatles! [37][41] The band performed over 100 concerts the following year.[37]. Theunis Bates, a writer for Time, summed the album up with: "Ramones stripped rock back to its basic elements ... lyrics are very simple, boiled-down declarations of teen lust and need. Havana Affair. "[43] Many songs from the album have backing vocals from different guests. [80] In August, Creem dubbed The Ramones as "The most radical album of the past six years", saying: "[it] is so strikingly different, so brazenly out of touch with prevailing modes as to constitute a bold swipe at the status quo." After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote about them in an article and contacted Danny Fields, insisting that he be their manager. ", "I love this record—love it—even though I know these boys flirt with images of brutality (Nazi especially) in much the same way '. Featuring the songs "Judy Is a Punk" and "I Wanna Be Your Boyfriend", the band used the demo to showcase their style to prospective labels. Die Ramones schufen Mitte der 1970er eher ungewollt eine neue Musikrichtung, da sie eine Abneigung gegen die damals produzierte … [33] Even though the song saw some success in the UK and Europe, it failed to chart in the top 50.[34]. Checkout the Ramones most underrated songs: https://www.youtube.com/playlist?list=PLe1Wbhk_AcG83cZty6UoSHZuEfI6DCPQnHey ho, let's … [52], "I Wanna Be Your Boyfriend" – the album's slowest song – was solely written by Tommy and pays homage to love songs by pop music acts of the 1960s. [60][61] At roughly 170 beats per minute, "Loudmouth" and "Havana Affair" proceed at about the same tempo. 1996 ist das Jahr der Trauer: die Ramones lösen sich auf. I Don’t Wanna Go Down to the Basement. The album was ranked at number 33 in Rolling Stone's 2012 list of the 500 Greatest Albums of All Time[2] and was certified gold by the Recording Industry Association of America in 2014. Stein accepted the revision and it was duly released. I Wanna Be Your Boyfriend. Billie Joe Armstrong, singer for Green Day, explained his reasoning for listening to the band: "they had songs that just stuck in your head, just like a hammer they banged right into your brain. They used similar sound-output techniques[clarification needed] to those of the Beatles and used advanced production methods by Leon. Linda Stein pushed to make these events happen, setting up the band performances in the UK during the United States Bicentennial. The guitars can be heard separately on the stereo channels—electric bass on the left channel, rhythm guitar on the right—drums and vocals are mixed in the middle of the stereo mix. [15] Sessions began later that month and were completed within a week for $6,400;[16][17] the instruments took three days and the vocal parts were recorded in four days. The songs are also rather short; at two-and-a-half minutes, "I Don't Wanna Go Down to the Basement" is the album's longest track. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Judy Is a Punk. [116] In 2006, "Blitzkrieg Bop" was reworked into a children's song on the album Brats on the Beat: Ramones for Kids. Als Weihnachtsgeschenk für die Bands selbst und die Fans soll die Cover-Version des Ramones-Songs „Merry Christmas (I Don´t Wanna Fight Tonight“) gesehen werden. [60], Written solely by Dee Dee, the lyrics of "53rd and 3rd" concern a male prostitute ("rent boy"), waiting at the corner of 53rd Street and Third Avenue in Midtown Manhattan. Beschreibung. "[106] In another interview, James stated that "Everybody went up three gears the day they got that first Ramones album. And the cover of Chris Montez's "Let's Dance" isn't a throwaway -- with its single-minded beat and lyrics, it encapsulates everything the group loves about pre-Beatles rock & roll. [120] [87] In 2001, the magazine also included the album in its special issue 25 Years of Punk with a list of The 50 Most Essential Punk Records, where it resided at the top spot. The record company paid only $125 for the front photo, which has since become one of the most imitated album covers of all time. [56] (Asked about the bathroom at CBGB, Debbie Harry remarked: "I think that song from the Ramones is partially about that: 'I don't wanna go down to the basement ... ' As kids, we never wanted to go down to the basement cos it was so dark and scary. [4][90] In 2003, Ramones was considered by Spin's Chuck Klosterman, Greg Milner, and Alex Pappademas to be the sixth most influential album of all time. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. [18] In 2004, Leon admitted that they recorded Ramones quickly due to budget restrictions, but also that it was all the time they needed. Wir versammeln Zitate aus Keith Richards bewegtem Leben. [36], At the time, Leigh was road manager, stage manager, chauffeur, and head of security. They are often cited as the first true punk rock group. Ramones ist das Debütalbum der gleichnamigen US-Punk-Band Ramones. "[89], The band was inducted into the Rock and Roll Hall of Fame at the 2002 induction ceremony, with the website stating that their first album changed the rock genre from "bloated and narcissistic", to "basic" rock and roll. [54][66], "I Don't Wanna Walk Around with You" segues into the closing track "Today Your Love, Tomorrow the World", which refers to a Hitler Youth member. Dieser Song hat einfach alles, was man von den Ramones verlangt: Eingängige Riffs, guter Text, genug Speed, klasse Gesang vom neuen Bassisten C.J. Chain Saw. It contained the songs "Now I Wanna Sniff Some Glue", "53rd & 3rd", "I Don't Wanna Go Down to the Basement", "Loudmouth", and "Beat on the Brat". All but one of the band's 1975 gigs were booked for New York City, with Waterbury, Connecticut as the exception. "[25] The back cover art, which depicts a belt buckle with a bald eagle and the band's logo, was designed by Arturo Vega. Ramone und ne gewaltige Menge Wumms. [45] The piece resolves by repeating what is played from 0:22–0:33. After performing with Blondie in New Jersey, they continued their tour to Boston, Massachusetts for three shows. Bands were just playing in an MC5 groove until then. [95] In 2010, it was ranked as the greatest debut album of the year in 1976. "[79] In July, Paul Nelson of Rolling Stone wrote in 1976 that the album was similar to early rock and roll, and was constructed using rhythm tracks of great intensity. [24] Music historian Legs McNeil states that "Tommy [is] standing on his tip-toes and Joey [is] hunched over a bit. Yet, the punk songs are still there, and oh boy are they punk as fuck. They don't alter the structure, or the intent, of the song, they simply make it louder and faster. 9. Pop. "[25], The artwork became one of the most imitated album covers in music. [62] In interviews, Dee Dee described the piece as autobiographical. Listen to My Heart. Great song, too. Die Donots hatten kürzlich den Entschluss gefasst, diesen Song neu einzuspielen und wurden im Studio in Person von CJ Ramone sogar von einem früheren Bandmitglied der Ramones unterstützt- CJ Ramone war von 1989 … My favorite song. [72] Stephen Thomas Erlewine of AllMusic also deemed the album influential, saying "In comparison to some of the music the album inspired, The Ramones sounds a little tame—it's a little too clean, and compared to their insanely fast live albums, it even sounds a little slow. Ramones, ^shipments figures based on certification alone, This article is about the Ramones' debut album. We would enlist the aid of any fan willing to help us load out at the end of the night. The first was released in February 1976, originally as a 7" split single with "Havana Affair" as its B-side. With the three-chord assault of "Blitzkrieg Bop," The Ramones begins at a blinding speed and never once over the course of its 14 songs does it let up. Ramones is considered to have established the musical genre of punk rock, as well as popularizing it years afterward. Joey Ramone said of the track: "It was the ultimate honor - like John Lennon writing a song for you". It only reached No. Violence, drug use, relationship issues, humor, and Nazism were prominent in the album's lyrics. When they opened at Brockton, Massachusetts, the audience appeared extremely uninterested in the Ramones so Johnny swore off playing as an introduction for other bands. Linie Sie gehen durch einen dichten Wind die Kinder verlieren ihren Verstand der Blitzkrieg Bop was... Also said that it offered `` alienated future rock '', and surf rock Tamed. 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